Logo Design Competitions – An Assembly of Useless Premature Design Abortions With Your Money Gone

The fact that the term logo is used should be an immediate clue of what is on offer. Remember “logo” is the traditional term to describe a symbol, such as a pictograph, which forms the centrepiece of a corporation or organisation’s corporate brandmark identity. These online sites take a stab at designing the logo which is only the symbol part of a brandmark, ignoring all the other elements such as the descriptor and slogan, the correct name and colour that result in the creation of a successful brandmark. In addition, the lack of a clear brand and design strategy and a proper brief will most certainly assure a disastrous result. Critical issues such as the rollout and the implementation of the brandmark across all media are ignored. Be warned, most of the time it ends up as a very poor effort altogether with a possible lawsuit of copyright infringement attached. The onlinelogomaker makes your life more easier using their existing logo from their archives which you can incorporate on your own logo.

I must warn you that the advertising and design industry is very promiscuous. I don’t mean this in the context of prostitutes, at least they charge for their services. I am talking about repeatedly doing it for free with any John, Dick or Jane and in the company of many. It is called pitching and online, disguised in many forms.

So, it does not come as a surprise to see the following lewd proposals on the Web. Offer a prize (as little as US$50 sometimes) and run an online logo competition on one of the logo competition websites and get hundreds of logos to choose from.

The online logo competitions usually go something like this: the competition holder (client) registers with the website, completes a very short standard brief with Yes/No tick boxes. The client adds a few comments of his/her own, sets a deadline and then pays the prize money, which could be anything from as little as US$50.

Then the amateur and wannabe designers who have also registered on the website, submit their designs or shall we say ideas. The competition holder ranks the ideas in order of preference with reasonable comments and sometimes not so reasonable demands, which could continue until judgement day. A winner is declared after some judging takes place, he or she gets paid, leaving a multitude of unhappy masochist amateur or wannabe designers and Mr/s Miser, the client, presumably satisfied.

This whole process is seriously flawed from both the so-called designer’s and client’s perspective. The design process is completely guided by the client who knows less than the so-called designer about brandmark design. The brief, already inadequate at the start, can and frequently does change during the competition. As there is no design strategy, this leads to several walks up and down the garden path full of the poor wannabe’s emotions caused by the whims of the client. Colour, typographical and other design changes are demanded and made without thought or question, and the client’s winning selection is not necessarily the best design.

This stab in the dark and shotgun approach continues on both the so-called designers’ and wannabes’ side. Why are these so-called designers willing to do a job they might not get paid for? You guessed right; they are out of a job and/or unemployable, and definitely extremely desperate. Why? Because they are generally useless at design, are truly at the bottom of the barrel or otherwise so inexperienced that nobody wants to hire them. They do not use their real names and frequently hail from places like Kascopystan, a host of Third-World countries and the like.

So would you like an out-of-work useless designer or an amateur wannabe to design your brandmark; something that could make or break the existing or future enterprise you have or are still planning to invest some serious money in? If so, then you are not serious about your business or money and deserve what could come your way in the form of brand failure or at worst, a lawsuit. That’s right, we are talking about copyright infringement.

These out-of-a-job and/or unemployable and definitely desperate wannabe blokes are known – after searching the Web with the help of some keywords on a search engine – to copy an existing brandmark, often from an unsuspecting third party in another country and different continent to try to avoid legal issues, alter or adapt it to suit your brand and present it as their own masterpiece specially created for you.

They are sometimes so unscrupulous that they go as far as copying their fellow wannabes’ work in the same competition. Now if you really want to save the miserable US$50 or so, and want to be so cheap, you could do this cribbing job yourself. If the wannabes are genuinely honest, most of the work they submit is bad design, which is, at best, incomplete and exists only as a half-baked idea.

They lack the training, experience, talent or time to refine, progress and fully develop these ideas. This is also the reason why they are not able to offer the client backup and guidance. Some clients recognise this and, as a result of their frustration, try to rectify the flaws with suggestions, which reflect their own inexperience, sending the eager-to-please wannabes on countless wild-goose chases for almost the entire duration of the competition and with no real design solutions forthcoming.

At the end of the competition, as a result of this shotgun approach, all the client gains is, at best, a collection of ideas, which need to be refined or, at worst, an assembly of useless premature design abortions with their money down the drain, time wasted and still no brandmark.

Before you get your enterprises’ brandmark (logo) designed or redesigned, first read Face your brand! The visual language of branding explained available at http://faceyourbrand.co.za/. It will help you to create the right brandmark, save money and time and, in turn, it could make you thousands of dollars.

Alexander Greyling is the Author of Face your brand! and a top international branding expert. In his eBook he provides indispensable facts and logic for creating a successful visual brandmark through his seven essential elements. This eBook offers amazing value for money and the price is less than half-an-hour of a professional designer’s time and takes only a few minutes to download. For a free sample eBook, more information or to order a copy of Face your brand! visit http://faceyourbrand.co.za/.

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The Basics of Color Theory for Artists

Color theory has a ton of definitions! A ton. Artists, painters, illustrators, and designers need to know the Color Wheel in order to succeed. A great freelance storyboard artist not only excites talent, crew, and clients, but also aligns your production departments behind the vision.

There is so much that can be said about Color Theory that it could fill the Library of Alexandria. It can be overwhelming, so for this article, I’m going to give you the underwhelming Cliff’s notes version. Here are a few basic concepts of Color Theory.

In 1666 the genius Sir Isaac Newton put together the first circular diagram of colors. Ever since then, artists and even scientists have studied and created numerous variations of this concept. Over the years much debate has been provoked due to the differences of opinion about the validity of one format over another. In my opinion, any wheel which presents a logically arranged sequence of pure hues is valid.

First a couple of terms you should familiarize yourself with about color.

Hue: is the name of a distinct color of the spectrum-red, green, yellow, orange, blue, and so on.

Tint: is the mixture of a color with white

Shade: is a mixture of a color and black

PRIMARY COLORS

The color wheel is based on red, yellow and blue.

In traditional Color Theory, these are the 3 colors that cannot be mixed by any combination of other colors. All other colors are derived from these 3 hues.

SECONDARY COLORS

Green, orange and purple are the secondary colors.

These are formed by mixing two of the primaries in equal parts. Thus red with yellow gives you orange, blue with yellow gives green, and red and blue give purple.

TERTIARY COLORS

Yellow-orange, red-orange, red-purple, blue-purple, blue-green and yellow-green.

These are formed by mixing a primary and a secondary. That’s why the hue is a two-word name, such as blue-green, red-violet, and yellow-orange.

The primaries are arranged on the color wheel at 3 points opposite each-other and the secondaries in between the two primaries. The tertiary colors are between the primary and secondary colors.

Color Schemes are rules for combining color that gives a harmonious result.

Complementary Scheme:

Colors that are opposite each other on the color wheel are known as complementary. Red and green for example. Using opposing colors create maximum contrast and maximum stability.

The high contrast of complementary schemes create a vibrant look especially when used at full saturation. You need to be careful using this scheme so it is not disturbing.

Complementary schemes are tricky to use in large doses, but work well when you want something to stand out. A Complementary scheme is definitely not recommended for text. If you don’t believe me just check out some people’s crappy ass My Space pages.

Analogous Scheme:

For the Analogous scheme, you use colors that are next to each other on the color wheel. They go well together and create placid designs. Analogous schemes are often found in nature and are harmonious and pleasing to the eye.

Be sure you have enough contrast when choosing an analogous scheme.

One color should dominate, a second to support. The third is used (along with black, white or gray) as an accent.

Split Complementary Color Scheme:

The split Complementary Color Scheme is a variation of the complementary scheme. You choose a base color and use the two colors adjacent to its complement. This has the same strong visual contrast as the complementary color scheme, but has less strain. The split-complimentary color scheme is a good choice for rookie artists because it is hard to screw up.

Triadic Color Scheme:

A triadic color scheme uses colors that are evenly spaced around the color wheel.

Triadic color harmonies tend to be vivid, even if you use pale versions of your hues.

To use a triadic harmony successfully, the colors should be carefully balanced – let one color dominate and use the two others for accent.

COLOR HARMONY

Harmony can be defined as a pleasing arrangement of parts, whether it be music, poetry, or even a gorgeous platter of tacos!

Harmony is something that is pleasing to the eye. It engages the viewer and it creates an inner sense of order and balance in the visual experience. When something is not harmonious, it’s boring or chaotic. The first extreme is a visual experience that is so ordinary, so dull and lackluster, that the viewer is not engaged. Our brains always reject under-stimulating information. I know mine does.

At the other extreme is a visual experience that is so overdone and chaotic that the viewer can’t stand to look at it. Our brains reject what they cannot organize or understand. We need to present a logical structure. Color harmony delivers visual interest and a sense of order which we find comforting and pleasant.

What I’m saying is, extreme unity leads to boredom, extreme complexity leads to over-stimulation. Harmony is a dynamic balance between the two. Like when balance is brought to the force.

Raul Aguirre Jr. Artist, Writer, Animator, Cartoonist, and Podcast Host. He is a 16 year veteran of the animation industry that has worked at Disney, Nickelodeon, and FOX. If this article inspired the artist in you, then check out The Man vs. Art Podcast that Raul hosts at http://www.manvsart.com Art, Animation, and Comics Shenanigans! Inspiration, Information, and Entertainment for Artists! Once you hear the Man vs. Art Podcast you can’t unhear it!

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Loft Conversions – Could You Benefit From Having More Space In Your Home?

Loft conversions have become the next big thing with homeowners and it’s no wonder when you consider all of the potential uses for this space. If you don’t want to build an add-on to your home that would encroach on precious garden spaces, a loft conversion is the way to go. Do you need an extra bedroom, a home office or a playroom? A loft makes the perfect sanctuary. Do you crave a home entertainment suite, a creative studio or a home gym? A loft conversions Sydney can make those dreams come true, as well. Place your bed under a sloped ceiling in loft conversions to make the most of the space. If the windows in your extension aren’t large, keep the decor pale to maximise light.

Most homeowners want a full loft conversion; complete with a new staircase to access the new room. Others just want an area suitable for occasional use or need extra storage. A basic conversion will not add to the value of your home in the same way a full conversion will, but may still be the perfect solution for your needs at this time. In either case, a reputable loft conversion specialist can help you to decide, draw up plans and carry out the work to your exact specifications.

In fact, whatever your needs; whatever you can imagine for your underused loft can be achieved with a loft conversion. And loft spaces turn out to be surprisingly bright and cheerful.

In today’s uncertain housing market, moving to a larger home is not always the best option. On top of the expenses incurred just to gain one or two extra rooms, there is also the hassle and stress of moving to be considered.

There are many reasons homeowners may need extra space. Perhaps you have a growing family; a new baby or a teenager who craves more privacy. Maybe you’re considering moving an aging parent in to live with you or you could use the extra space for a home office.

Whatever your needs or wants, a loft conversion is one of the most cost effective and efficient ways to add to your living space without actually moving.

How much unused space do you have above you? An extra bedroom or study will fit easily into the loft of most homes and bungalows. In a two-bedroom terraced house, the loft space will usually have room for a third bedroom with en-suite.

Compared to the cost of moving house, a full loft conversion might not be as costly as you may think and it will increase the value of your home by 20-30%. The amount of work needed varies, depending on the structure of the roof and the design of the conversion but the whole project can take as little as 6-7 weeks from design to completion.

Feasibility

This type of home renovation involves a complex structural alteration. It can be undertaken as a DIY project but is more easily done by a group of qualified professionals. Make sure to hire a loft conversion specialist who employs only the best skilled tradesmen in the field.

Several factors must be considered before undertaking a loft conversion. An inspection will be made to ensure that there is enough space in the loft to make a conversion feasible and that the area under the roof bridge allows for adequate headroom. There must also be enough space for the access stairs.

The roof will be checked for any signs of leaks. If there is a problem with leaks in the roof, repairs can be carried out either before or during the conversion.

Next, a decision is made about the type of conversion you would like and this, of course, is based on your requirements and budget. Talk to your loft conversion specialist about your needs and have them advise you about all of the possibilities available to you.

During the preliminary free consultation, the company will take measurements and, at the next meeting, present you with a design showing the position of the stairs and the size and shape of the loft room. At this point, you should receive a carefully detailed quote for the work needed to complete your loft conversion.

Once you have decided to accept the loft design company’s proposal, they will begin the process of obtaining planning permission, if required, a certificate of lawful development and building regulation approval. Where appropriate, they prepare and submit detailed structural engineering calculations to your local building control department for approval. Most companies handle all of the paperwork associated with your conversion.

Once permissions are received work can begin on your new loft conversion at a time convenient to you. A reputable loft conversion company handles everything, right up to the time when your new loft is ready to be decorated. Contract managers work alongside each construction team and should always be available to answer your questions and deal with any problems that may come up. Their job is to keep you informed from start to finish.

Complete Lofts are a family run specialist loft conversions company with over 15 years experience employing only the best skilled tradesmen in the field.

Our aim is to work closely with you and give our undivided attention throughout the entire project thus enabling you to enjoy many different loft conversion types.

We provide our unique service to all inside the M25 London Area

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